Thomas’ work hits you like a friendly slap in the face from a clown. He has a magical knack of being able to take humdrum everyday objects, arrange them into colours and create loud, explosive images and Willy Wonka-esque installations.
Alongside this, Thomas is also a dab-hand at typography and often incorporates that into his pieces: creating impressive experimental letterforms that merge with his 3D and digital work to convey whatever message the client or project needs.
His clients include Adweek, Bulmer's, Nickelodeon, Esquire, Facebook, The New Yorker and The Guardian among others.
